Pick up that shoebox and come with me--
the fountains have all gone strange
and either no one has noticed,
or everyone is ignoring them.
See? Here in Edgemere Park
the reflecting pool has grown something strange.
A pile of broken stones littered with cringing imps
makes a raceway for pouring water
gushing from a wound in the side
of a great, snaky, scaly Eastern dragon.
The dragonslayer poses just below
armed and armored as a Roman legionaire,
hasta grounded; butt-spike down at his feet,
point up over his shoulder;
plumed helm under his arm and
hair tossed by the wind.
His face is featureless.
Take out a chunk of sidewalk chalk;
I will draw a fist-sized circle
on the pavement. Genuflect, and
touch your thumb to the sacred spot.
I don't know why. I know only
that it's the right thing to do.
Follow me along the Blackstone canal
and through the cluster of converted workshops
to Webster Square where
the fountain has gone strange--
yesterday they were heroes of Labor:
three muscular men; African, Asian, European;
now their hammers and prybars lie cast aside
and they hoist steins aloft in a joyful toast,
water pouring out of their mugs,
into their mouths and out over their chins,
down over their chests and into the pool at their feet.
Take out the tiny box of kitchen matches
and the skein of embroidery floss;
and that bundle of twigs;
I will tie the twigs together just right
and we'll have a bush suitable for burning.
You light it on fire and tuck in this slip of paper--
don't read it! It's not for you.
I don't know why. I know only
that it's the right thing to do.
We need to be careful now--
follow me through undeveloped lots
and the basements of decaying buildings
paralleling Quinsigamond Avenue,
then down into the business district
where a fountain has grown up out of the ground,
strange and disturbing, in front of the Post Office--
Similar women
daggers in hand
face each other--
one wild and hateful,
one calm and determined;
a man lies face down in the pool between them,
hands manacled behind his back.
Take out the harmonica;
the chorus goes like this:
“Did Your son redeem the sins of gods and men?”
I don't know why. I know only
that it's the right thing to do.
Tuesday, October 20, 2009
Monday, October 19, 2009
Garden of Flame
Through sun-baked days
I built a garden of flame in a barren land.
I have trucked in crushed stone
and swirled its many colors
in spirals and arcs across the footprint
of a burned lake.
I have shaped pillars of obsidian
and stood them up
radially and concentrically
along the gravel swirls.
Through the chill times of night
I kindled campfires for light
and sawed and split and stacked
great runs of fuel between the pillars,
walls of wood twisting knots and paths
from the center of my garden to its edge.
Any garden of flame
must also be a garden of shadow
so I have twisted steel rods into fantastic shapes
and interlocked their curves
so their shadows will writhe like slithering graffiti
in the dancing firelight; a clutch of cobras
entranced by a bottle gourd flute.
I have hung
oil lamps and gas lamps
and torches dripping pitch.
I have mortared together rounded river rocks.
I have welded together grated braziers.
I have stacked stone circles.
I have propped up slabs of granite.
All of this I have done to cradle great flame
leaping red-gold and blue and green;
all of this dancing glory I will start with one spark.
Wear this twisted little trinket:
rest the metal between the knobs of your collarbones.
When your flesh warms it, it will open doors to anywhere.
Try it; open this door and step through with me
into my garden of flame.
I built a garden of flame in a barren land.
I have trucked in crushed stone
and swirled its many colors
in spirals and arcs across the footprint
of a burned lake.
I have shaped pillars of obsidian
and stood them up
radially and concentrically
along the gravel swirls.
Through the chill times of night
I kindled campfires for light
and sawed and split and stacked
great runs of fuel between the pillars,
walls of wood twisting knots and paths
from the center of my garden to its edge.
Any garden of flame
must also be a garden of shadow
so I have twisted steel rods into fantastic shapes
and interlocked their curves
so their shadows will writhe like slithering graffiti
in the dancing firelight; a clutch of cobras
entranced by a bottle gourd flute.
I have hung
oil lamps and gas lamps
and torches dripping pitch.
I have mortared together rounded river rocks.
I have welded together grated braziers.
I have stacked stone circles.
I have propped up slabs of granite.
All of this I have done to cradle great flame
leaping red-gold and blue and green;
all of this dancing glory I will start with one spark.
Wear this twisted little trinket:
rest the metal between the knobs of your collarbones.
When your flesh warms it, it will open doors to anywhere.
Try it; open this door and step through with me
into my garden of flame.
Monday, October 12, 2009
Subconscious Music
Ten churches in Edgemere
have human bellringers.
They know the perfect acoustic spot
and invite with a tiny card
one person per month
to sit there on the night of the new moon
while the ten of them
with synchronized watches and metronomes
tap out the notes of songs
with pennies on the skirts of their bells.
Listeners say the music is so subtle
you think you're composing a song in your head
and they're scribbling lyrics to go with the music,
writing a line or two on scraps and napkins;
the backs of business cards and bar coasters.
They're leaving them on tables in restaurants,
under passenger side wipers on parked cars,
dropping them into suggestion boxes,
or (with a donation) into donation boxes.
The waitstaff and department managers
who find these snippets of song
sometimes toss them without reading them
and continue their tasks,
but more often, they read,
and the verses murmur in their underminds
through busy afternoons.
And after, in the evening,
when they've digested the fragments,
and they're busying themselves
with their quotidian rituals,
the phrases change things.
Edgemere has, over the last half-year,
become a city of narrow, crooked streets
with ornate signs jutting out from doorframes
advertising fortunetellers and curiosity shops.
The buildings grow embellishments;
denizens are waking up to discover
rooftop patios and two story porches and
basement tunnels which they'd never noticed before.
People living here wear more masks
and dance more often; they block off streets
for a block or two and gather for impromptu festivals of
food and wine and music.
They spend less time in church
and pray more often with deeds than with words.
have human bellringers.
They know the perfect acoustic spot
and invite with a tiny card
one person per month
to sit there on the night of the new moon
while the ten of them
with synchronized watches and metronomes
tap out the notes of songs
with pennies on the skirts of their bells.
Listeners say the music is so subtle
you think you're composing a song in your head
and they're scribbling lyrics to go with the music,
writing a line or two on scraps and napkins;
the backs of business cards and bar coasters.
They're leaving them on tables in restaurants,
under passenger side wipers on parked cars,
dropping them into suggestion boxes,
or (with a donation) into donation boxes.
The waitstaff and department managers
who find these snippets of song
sometimes toss them without reading them
and continue their tasks,
but more often, they read,
and the verses murmur in their underminds
through busy afternoons.
And after, in the evening,
when they've digested the fragments,
and they're busying themselves
with their quotidian rituals,
the phrases change things.
Edgemere has, over the last half-year,
become a city of narrow, crooked streets
with ornate signs jutting out from doorframes
advertising fortunetellers and curiosity shops.
The buildings grow embellishments;
denizens are waking up to discover
rooftop patios and two story porches and
basement tunnels which they'd never noticed before.
People living here wear more masks
and dance more often; they block off streets
for a block or two and gather for impromptu festivals of
food and wine and music.
They spend less time in church
and pray more often with deeds than with words.
Sunday, October 11, 2009
Hedonistic Missionaries
Someday, when I have too much money,
I will pay someone to print
a remedial Kama Sutra
on several reams of
eight-and-a-half-by-eleven sheets.
I will collect from my friends,
now that they've happily entwined with
real, live, sweaty, enthusiastic lovers,
the stashes of pornography which
they haven't thumbed through in years
but haven't bothered to recycle.
I will buy a two-foot by two-foot by two-foot carton
of individually wrapped latex condoms.
I will acquire unbreakable containers
and fill them with booze,
of low, high and best quality.
I will roll a kilo of joints and
bag them by pairs, with a lighter in each bag.
I will hire a pilot
and on nights with no moon
I will fan whole loads of illicit materials
out the back of the plane and down onto
the tabletop prairies of Kansas and Nebraska;
of Oklahoma and the Dakotas;
and everywhere young men and women
get sent off into adulthood
with a bible as a guidebook.
Sent off armed only with hearsay ans rumors
from their near age-mates.
Sent off with no map, no helpful cabbie,
nor even a night at a table chatting
with someone who has visited
and lived to return home to tell the tale.
I will send out hedonistic missionaries
in converted cargo vans
full of inventive chefs and bemused musicians
and hotties of every variety
to deliver to the bewildered adults
who stumbled from self-conscious ignorance
to embarrassing error
to frightened uptightness
the good news and the bad news:
"Here's more fun than you can handle,
and a crew of native guides to blaze a safe-ish trail;
(ask us what you wish, and we'll tutor you;
but the best teachers answer questions
with questions.)
"We don't hide. We won't hide.
Our trails lead past your pinchfaced neighbors
and we all have our distinctive anatomies.
"What joy you reach for and how well you withstand it
we leave as an exercise for the student."
I will pay someone to print
a remedial Kama Sutra
on several reams of
eight-and-a-half-by-eleven sheets.
I will collect from my friends,
now that they've happily entwined with
real, live, sweaty, enthusiastic lovers,
the stashes of pornography which
they haven't thumbed through in years
but haven't bothered to recycle.
I will buy a two-foot by two-foot by two-foot carton
of individually wrapped latex condoms.
I will acquire unbreakable containers
and fill them with booze,
of low, high and best quality.
I will roll a kilo of joints and
bag them by pairs, with a lighter in each bag.
I will hire a pilot
and on nights with no moon
I will fan whole loads of illicit materials
out the back of the plane and down onto
the tabletop prairies of Kansas and Nebraska;
of Oklahoma and the Dakotas;
and everywhere young men and women
get sent off into adulthood
with a bible as a guidebook.
Sent off armed only with hearsay ans rumors
from their near age-mates.
Sent off with no map, no helpful cabbie,
nor even a night at a table chatting
with someone who has visited
and lived to return home to tell the tale.
I will send out hedonistic missionaries
in converted cargo vans
full of inventive chefs and bemused musicians
and hotties of every variety
to deliver to the bewildered adults
who stumbled from self-conscious ignorance
to embarrassing error
to frightened uptightness
the good news and the bad news:
"Here's more fun than you can handle,
and a crew of native guides to blaze a safe-ish trail;
(ask us what you wish, and we'll tutor you;
but the best teachers answer questions
with questions.)
"We don't hide. We won't hide.
Our trails lead past your pinchfaced neighbors
and we all have our distinctive anatomies.
"What joy you reach for and how well you withstand it
we leave as an exercise for the student."
Friday, October 9, 2009
Kill Your Television
Last night Crystal and Amber,
patron saints of poor impulse control,
put a penny on the railroad tracks
of Tom's intolerance of television.
Blame it on the bar;
on tequila; on testosterone;
everyone else in the room had tuned out
Tom's Mind Control Rant Number 107
long before he reached his typical crescendo:
“Elvis Presley used to shoot televisions!”
but Amber interrupted with:
“Put up or shut up!”
and Crystal knew a pawnbroker
whose just-shy-of-nonexistent morals
could be subverted with a comforting lie
and an extra twenty.
Twenty minutes,
six emptied chambers,
two shattered wide-screen wall-mount plasma sets,
one enraged group of patrons
from a random sports bar
(Finley McGuinn's, on Miller Street,) and
one hastily chosen hiding place later,
Tom (alone and terrified
his instigators having wandered away,
no longer bored)
made the latest of many
after-midnight emergency calls
to Emily, an alchemist of ideas
who turns baser impulses to gold.
(Tom could avoid
a full portion of fear in his life
by calling Emily before he acts.)
As always, she first confirmed
that Tom hadn't hurt anyone,
then talked him through
her recipe for invisibility
and all the sensible precautions:
-set your phone to vibrate
-avoid the furtive hunch and darting eyes
of a frightened man, and
walk confidently, erect and relaxed
-vanish into the attenuated nighttime crowd
and ride with the faceless
on trains and busses
-ride to the Outskirts where
used car dealers and cheap hotels rule,
where no one walks
because there are no sidewalks,
and there are no sidewalks
because no one walks-
you'll have to walk
-as you walk, slipping over snowbanks
and through drifts, into each
of the sewer grates you pass
drop one of the six spent shells
-find the tiny local franchise
of the biggest fast-food joint on the planet
and load up, to go
-drop the hardware into your bag
of spent wrappers and napkins
then deep-six the bundle
into the depths (but not the bottom)
of the overflowing trashcan near the restroom
-then into the restroom
to wash the sin from your hands
Emily had plenty more helpful advice
but Tom's phone surrendered to entropy
drained utterly of charge.
He managed to find his way home
without incident, mostly due to the happy fact
that the officers tasked to catch him
had gathered their conflicting descriptions
and retired to the station to sip hot coffee
and process their reports.
patron saints of poor impulse control,
put a penny on the railroad tracks
of Tom's intolerance of television.
Blame it on the bar;
on tequila; on testosterone;
everyone else in the room had tuned out
Tom's Mind Control Rant Number 107
long before he reached his typical crescendo:
“Elvis Presley used to shoot televisions!”
but Amber interrupted with:
“Put up or shut up!”
and Crystal knew a pawnbroker
whose just-shy-of-nonexistent morals
could be subverted with a comforting lie
and an extra twenty.
Twenty minutes,
six emptied chambers,
two shattered wide-screen wall-mount plasma sets,
one enraged group of patrons
from a random sports bar
(Finley McGuinn's, on Miller Street,) and
one hastily chosen hiding place later,
Tom (alone and terrified
his instigators having wandered away,
no longer bored)
made the latest of many
after-midnight emergency calls
to Emily, an alchemist of ideas
who turns baser impulses to gold.
(Tom could avoid
a full portion of fear in his life
by calling Emily before he acts.)
As always, she first confirmed
that Tom hadn't hurt anyone,
then talked him through
her recipe for invisibility
and all the sensible precautions:
-set your phone to vibrate
-avoid the furtive hunch and darting eyes
of a frightened man, and
walk confidently, erect and relaxed
-vanish into the attenuated nighttime crowd
and ride with the faceless
on trains and busses
-ride to the Outskirts where
used car dealers and cheap hotels rule,
where no one walks
because there are no sidewalks,
and there are no sidewalks
because no one walks-
you'll have to walk
-as you walk, slipping over snowbanks
and through drifts, into each
of the sewer grates you pass
drop one of the six spent shells
-find the tiny local franchise
of the biggest fast-food joint on the planet
and load up, to go
-drop the hardware into your bag
of spent wrappers and napkins
then deep-six the bundle
into the depths (but not the bottom)
of the overflowing trashcan near the restroom
-then into the restroom
to wash the sin from your hands
Emily had plenty more helpful advice
but Tom's phone surrendered to entropy
drained utterly of charge.
He managed to find his way home
without incident, mostly due to the happy fact
that the officers tasked to catch him
had gathered their conflicting descriptions
and retired to the station to sip hot coffee
and process their reports.
Sunday, October 4, 2009
Stream of Impropriety
I'm going to take the good karma I've earned
by paying for my sandwich (when I could have
walked away from two counter people
who were too stoned to blink) and spend it
licking the sensitive surfaces of a stranger's flesh.
The stream of impropriety is fed from bedsprings
and the artesian coordinates
of pickup lines and the curves which converge
just under the hip pockets of some hungry stranger.
After a quick baptism, you'll discover
powers of persuasion you've never had before--
with a word, you'll be able
to distract the rivets in this pretty girl's jeans.
To a few dozen people living
in Northern Kentucky,
skinnydipping in Knob Creek
is a perfectly innocent pastime
on a muggy summer day.
She is not
one of those few dozen.
She's shy like a shotgun activist,
and she knows how to coax me to rut;
how to run lust along the edges of my tongue
and up into the base of my brain.
Her implications and innuendoes
touch my mind like a single curl of smoke-
at first barely perceived,
then snapping me to total focus
to find the source of the danger.
And that's it, slithering up my spine--
her fingernail slicing delicately
sending a flare—immediate, then broadening.
A path of voltage tracing every nerve,
marking out where the flash flood of sensation
will rip soon through the riverbed.
by paying for my sandwich (when I could have
walked away from two counter people
who were too stoned to blink) and spend it
licking the sensitive surfaces of a stranger's flesh.
The stream of impropriety is fed from bedsprings
and the artesian coordinates
of pickup lines and the curves which converge
just under the hip pockets of some hungry stranger.
After a quick baptism, you'll discover
powers of persuasion you've never had before--
with a word, you'll be able
to distract the rivets in this pretty girl's jeans.
To a few dozen people living
in Northern Kentucky,
skinnydipping in Knob Creek
is a perfectly innocent pastime
on a muggy summer day.
She is not
one of those few dozen.
She's shy like a shotgun activist,
and she knows how to coax me to rut;
how to run lust along the edges of my tongue
and up into the base of my brain.
Her implications and innuendoes
touch my mind like a single curl of smoke-
at first barely perceived,
then snapping me to total focus
to find the source of the danger.
And that's it, slithering up my spine--
her fingernail slicing delicately
sending a flare—immediate, then broadening.
A path of voltage tracing every nerve,
marking out where the flash flood of sensation
will rip soon through the riverbed.
Wednesday, September 23, 2009
Burn
He wears natural fiber clothing
because, while cotton may burn,
nylon melts, sticking to skin.
She loves that about him; that foresight.
He keeps a stainless steel lighter,
always topped with fluid
and always in the right-front pocket of his jeans.
She reaches in often, even when
she feels no urge to burn.
The metallic click of the cover,
the sweet fumes touching her tongue-
these things send a thrill all through her
almost as sharp as when he comes home
smelling of sweat and ground steel and
welding residue.
She knows he's been playing with plasma then-
nothing is hotter than that.
because, while cotton may burn,
nylon melts, sticking to skin.
She loves that about him; that foresight.
He keeps a stainless steel lighter,
always topped with fluid
and always in the right-front pocket of his jeans.
She reaches in often, even when
she feels no urge to burn.
The metallic click of the cover,
the sweet fumes touching her tongue-
these things send a thrill all through her
almost as sharp as when he comes home
smelling of sweat and ground steel and
welding residue.
She knows he's been playing with plasma then-
nothing is hotter than that.
Monday, August 24, 2009
Off Your Meds
Wander through a sunny afternoon off your meds
savoring the signficance of every gesture.
Each glim and glint seems to peak and trough in its pattern;
car radios sing jingles to you then dart away,
distracted by the cycles of the traffic lights;
blind men tap six feet of surrogate senses on the sidewalk
and cellphone solipsists wander, focussed inward,
listening to voices of their own
as invisible and insistent as yours.
Listen to the whisper of studded radials
on dry pavement, or the
sixty-cycle hum of a transformer
stepping down the voltage
to something mere mortals can conjure with--
Remember:
Ohm's Law tells us all that
resistance isn't futile—it's
something you just have to factor in.
savoring the signficance of every gesture.
Each glim and glint seems to peak and trough in its pattern;
car radios sing jingles to you then dart away,
distracted by the cycles of the traffic lights;
blind men tap six feet of surrogate senses on the sidewalk
and cellphone solipsists wander, focussed inward,
listening to voices of their own
as invisible and insistent as yours.
Listen to the whisper of studded radials
on dry pavement, or the
sixty-cycle hum of a transformer
stepping down the voltage
to something mere mortals can conjure with--
Remember:
Ohm's Law tells us all that
resistance isn't futile—it's
something you just have to factor in.
Tuesday, August 18, 2009
Let Go
She's decided to let go
and follow every impulse that sings to her
She has taken on a number of lovers
and fucks one per night
in alphabetical order.
She's detours now through
the old landfill on her way to work,
so she can spend a few minutes each day
flinging liquor bottles at
stacks of cracked windows
to listen to the smashing glass carrillion.
She indulges her texture fetish,
touching everything she can reach,
comparing rough with smooth and supple,
and slack with taut and tingling.
She's picks up every finger-sized object
she finds on the sidewalk
and tucks it into a bowl on her desk.
Someday soon, she figures,
a whisper from a shadow
just behind her thinking mind
will propose a project for her,
and the whole bowlful
will be the key ingredients.
She drops five bucks in someone's hat every Friday
and calls it a cover charge,
even though she doesn't know
exactly what club
she's trying to get into.
and follow every impulse that sings to her
She has taken on a number of lovers
and fucks one per night
in alphabetical order.
She's detours now through
the old landfill on her way to work,
so she can spend a few minutes each day
flinging liquor bottles at
stacks of cracked windows
to listen to the smashing glass carrillion.
She indulges her texture fetish,
touching everything she can reach,
comparing rough with smooth and supple,
and slack with taut and tingling.
She's picks up every finger-sized object
she finds on the sidewalk
and tucks it into a bowl on her desk.
Someday soon, she figures,
a whisper from a shadow
just behind her thinking mind
will propose a project for her,
and the whole bowlful
will be the key ingredients.
She drops five bucks in someone's hat every Friday
and calls it a cover charge,
even though she doesn't know
exactly what club
she's trying to get into.
Sunday, August 9, 2009
Tiny Gods Hiding
The bohemian teenagers of Edgemere,
innocent of nothing but hygiene and regulation,
wear the public faces of tiny gods hiding.
Feed them tequila and they'll smooth your path.
Forty days in the wilderness
of alley canyons and rooftop mesas
flenses the plaque of propriety from their souls
and sets up sofas inside their minds
for godlings to surf, just for a while.
Wily urges take over their voices
and let slip secrets to each other.
Listen to them chatter while they
chain-smoke handrolled cigarettes
and gulp coffee on a sunny stoop.
They'll jumpstart your sense of wonder.
They'll peel away the touch-ups and repairs;
the cloudy lacquer that your mind has applied
to the fresco of your reality
and show the lowest layer,
brushed into the wet plaster of your childhood.
You'll be shocked
at how vivid the colors seem.
innocent of nothing but hygiene and regulation,
wear the public faces of tiny gods hiding.
Feed them tequila and they'll smooth your path.
Forty days in the wilderness
of alley canyons and rooftop mesas
flenses the plaque of propriety from their souls
and sets up sofas inside their minds
for godlings to surf, just for a while.
Wily urges take over their voices
and let slip secrets to each other.
Listen to them chatter while they
chain-smoke handrolled cigarettes
and gulp coffee on a sunny stoop.
They'll jumpstart your sense of wonder.
They'll peel away the touch-ups and repairs;
the cloudy lacquer that your mind has applied
to the fresco of your reality
and show the lowest layer,
brushed into the wet plaster of your childhood.
You'll be shocked
at how vivid the colors seem.
Wednesday, March 25, 2009
Oracle
This week Kira has been dreaming--
dreaming of smoke signals
puffing gray out of
a lake of pale fog;
a ravine half-full of mist;
dreaming of graffiti
scrawled underneath the eaves
of the tower of a subdivided Victorian;
dreaming of the staccato chatter
of a freight train
swaying over a truss bridge
tapping out a prisoner's message
from she-knows-not-which cell.
Now she's listening
and her waking day murmurs to her--
oak trees snapping in
the hostile cold of a February shortcut;
wind off the lake
strumming the guy wires of a phone pole--
a child in a circle of children
whispering corrupted data.
dreaming of smoke signals
puffing gray out of
a lake of pale fog;
a ravine half-full of mist;
dreaming of graffiti
scrawled underneath the eaves
of the tower of a subdivided Victorian;
dreaming of the staccato chatter
of a freight train
swaying over a truss bridge
tapping out a prisoner's message
from she-knows-not-which cell.
Now she's listening
and her waking day murmurs to her--
oak trees snapping in
the hostile cold of a February shortcut;
wind off the lake
strumming the guy wires of a phone pole--
a child in a circle of children
whispering corrupted data.
Monday, January 12, 2009
Question for ya:
Should I post some of my older poems while I get feedback about Tiny Gods Hiding, or should I post only completed collections on this blog?
Let me know what you think.
Let me know what you think.
Monday, January 5, 2009
Coming soon: Tiny Gods Hiding
I've finished most of the work on my next offering, Tiny Gods Hiding. I just have to run it by a few people I trust to see if it's ready to be released to the wild, or needs more cowbell, or whatnot.
This time I'll make sure that I post the last poem first and the first poem last, so one can read the whole thing from top to bottom. As with Jocasta and the Sorcerers, I'll be dropping hardcopies in and around Burlington, VT. Stay tuned.
This time I'll make sure that I post the last poem first and the first poem last, so one can read the whole thing from top to bottom. As with Jocasta and the Sorcerers, I'll be dropping hardcopies in and around Burlington, VT. Stay tuned.
Sunday, January 4, 2009
Explanation/Thanks
I shouldn't explain, but I will:
I worked for a while slapping stickers on boxes and sending them away-- a monotonous job, so I amused myself with names and places. My co-worker said her favorite name from a label was, "Stoneburner." The tag in my hand was going to Sheboygan, Wisconsin, and the name and the place murmurred in my mind through a long afternoon. What name could be exotic enough to pair with "Stoneburner? "Ariadne" didn't quite fit, but "Jocasta?" Well!
Around the same time I read Someone's review (I don't know whose) of Someone Else's poetry, (I don't know whose) sneering: "It reads like Assonance 101!"
Assonance 101?
Sounds like fun!
Weeks later, after I'd written a couple of drafts of the first poem, a friend mentioned a set of stories featuring "Jocasta Stones."
Oops. My apologies to Patrick Carman, whom I've not read (yet).
Thank you to Tina for her favorite name
and thank you to Susan who inspired enthusiastic magic and roisterous joy!
(This whole blogging thing is new to me; I apologize for the bottom-to-top, early-to-later order of the poems. The chronological first post is the first poem in the collection. I'll do better with the next series of poems, which should be ready soon.)
I worked for a while slapping stickers on boxes and sending them away-- a monotonous job, so I amused myself with names and places. My co-worker said her favorite name from a label was, "Stoneburner." The tag in my hand was going to Sheboygan, Wisconsin, and the name and the place murmurred in my mind through a long afternoon. What name could be exotic enough to pair with "Stoneburner? "Ariadne" didn't quite fit, but "Jocasta?" Well!
Around the same time I read Someone's review (I don't know whose) of Someone Else's poetry, (I don't know whose) sneering: "It reads like Assonance 101!"
Assonance 101?
Sounds like fun!
Weeks later, after I'd written a couple of drafts of the first poem, a friend mentioned a set of stories featuring "Jocasta Stones."
Oops. My apologies to Patrick Carman, whom I've not read (yet).
Thank you to Tina for her favorite name
and thank you to Susan who inspired enthusiastic magic and roisterous joy!
(This whole blogging thing is new to me; I apologize for the bottom-to-top, early-to-later order of the poems. The chronological first post is the first poem in the collection. I'll do better with the next series of poems, which should be ready soon.)
Young Gods
After a short ritual
We are young gods.
Confident and terrible
We rise to Inferno
To watch a farce.
The demons and the damned,
Laughing, trade places
Howling with glee
Because they know eternity
Ends too soon.
In a state of grace
We godlings, we urges,
Descend from Hell:
Wings tucked, spiraling,
We fall from garish flame
To cool, dark silence.
High in the tower,
Before a wall of windows,
Above the sleeping world
We reflect on light and shadow
And how abrupt
The simple transition between.
Someone has strung myriad lights,
Bright and dim,
moving and fixed,
And, hearing our wish,
Strobes brilliant pinpoints
Throughout our long watch.
The blazing, wailing Hell above
Has wrapped a poison creeper
Around our goddess’ heart
And thorny tendrils writhe
In chattering arrhythmia.
I dig deep into my bag
And bring out music-
An anchor in her storm,
A tempo to throb along to,
A path back to shadow.
She clings to the song
And soon fills the world
With the trills and moans of
Wind across the tower’s face.
Some of us dive like
Darting fish, tanks of time
Strapped to our wrists
And, when our duration runs out,
Float back to the tower
To replenish our seconds.
Some find morsels of coral,
Swords delaminating,
Calloused glass.
We tell each other tales
Of the treasures and wrecks
We've found, and each of us
Lures all of us down, and down,
And down to the deeps.
There we find a dim heaven
Of music and motion, and
A band of mischievous angels
In a frenzied dervish dance
Whirling to the wave music
Crashing far above.
One shout, we raise voice
In defiant heresy and dance,
One with our brothers and foes.
Dance ‘til our lungs burn.
Dance ‘til our feet blister.
Dance ‘til the waves
Wear away the drumhead of
The beach far above.
We climb back to the tower
And still the lights arc
And still the music of the wind
Across the tower’s face
Rings along the harpstrings of our nerves.
Periodically, a passing imp
Surrenders to a momentary impulse and
Possesses one or another of us
The rest of us giggle and
Snicker until the imps,
Bored quickly with the novelty
of puppetting apprentice gods,
Wander off with their
Stockpiled impulses,
Their bags of bad ideas.
Try as we might
To let go the godhead
And plunge to our pillows
And blankets of mortality,
Divinity has ideas of its own
And we bedspin through
Dawn and sunrise-
Gods at the end of eternity
Watching the last handful
Of worshippers wink out.
We are young gods.
Confident and terrible
We rise to Inferno
To watch a farce.
The demons and the damned,
Laughing, trade places
Howling with glee
Because they know eternity
Ends too soon.
In a state of grace
We godlings, we urges,
Descend from Hell:
Wings tucked, spiraling,
We fall from garish flame
To cool, dark silence.
High in the tower,
Before a wall of windows,
Above the sleeping world
We reflect on light and shadow
And how abrupt
The simple transition between.
Someone has strung myriad lights,
Bright and dim,
moving and fixed,
And, hearing our wish,
Strobes brilliant pinpoints
Throughout our long watch.
The blazing, wailing Hell above
Has wrapped a poison creeper
Around our goddess’ heart
And thorny tendrils writhe
In chattering arrhythmia.
I dig deep into my bag
And bring out music-
An anchor in her storm,
A tempo to throb along to,
A path back to shadow.
She clings to the song
And soon fills the world
With the trills and moans of
Wind across the tower’s face.
Some of us dive like
Darting fish, tanks of time
Strapped to our wrists
And, when our duration runs out,
Float back to the tower
To replenish our seconds.
Some find morsels of coral,
Swords delaminating,
Calloused glass.
We tell each other tales
Of the treasures and wrecks
We've found, and each of us
Lures all of us down, and down,
And down to the deeps.
There we find a dim heaven
Of music and motion, and
A band of mischievous angels
In a frenzied dervish dance
Whirling to the wave music
Crashing far above.
One shout, we raise voice
In defiant heresy and dance,
One with our brothers and foes.
Dance ‘til our lungs burn.
Dance ‘til our feet blister.
Dance ‘til the waves
Wear away the drumhead of
The beach far above.
We climb back to the tower
And still the lights arc
And still the music of the wind
Across the tower’s face
Rings along the harpstrings of our nerves.
Periodically, a passing imp
Surrenders to a momentary impulse and
Possesses one or another of us
The rest of us giggle and
Snicker until the imps,
Bored quickly with the novelty
of puppetting apprentice gods,
Wander off with their
Stockpiled impulses,
Their bags of bad ideas.
Try as we might
To let go the godhead
And plunge to our pillows
And blankets of mortality,
Divinity has ideas of its own
And we bedspin through
Dawn and sunrise-
Gods at the end of eternity
Watching the last handful
Of worshippers wink out.
Momentum
Late in the evening
(early in the morning-- time means nothing here)
we sorcerers and students
gather with Jocasta to pass around
a carafe of water.
"We're done here," (Jocasta says,)
the bash has reached critical mass
and will flare til the fuel
of their passion is exhausted.
Now we can let down our hair and
take off the nametags
and join the celebration!
"Gentlemen, you've done fine work
and controlled the flow of power
with intricate precision
and immaculate mastery-
a safe blaze fed with twigs
and ringed with stacked stone.
"It's time to let go.
"Time to bypass the governors and
let slip the mysteries and
let it flow out of control.
We've been slipping them sips;
let them drink and be refreshed.
"I know your fears--
unwatered wine maddened the Maenads--
but your wall is sound and
has waved away the nasty bastards
and will contain the chaos
if things fall apart inside.
"We've spent this timeless time
priming them for power.
Some have been dazzled and dizzied
but found their footing fast
and have advanced to dance with the magic.
Already the proficient look after the apprentices
and will scoop up any strays.
"Let go."
We glance at each other,
shrug as one,
and let go.
(early in the morning-- time means nothing here)
we sorcerers and students
gather with Jocasta to pass around
a carafe of water.
"We're done here," (Jocasta says,)
the bash has reached critical mass
and will flare til the fuel
of their passion is exhausted.
Now we can let down our hair and
take off the nametags
and join the celebration!
"Gentlemen, you've done fine work
and controlled the flow of power
with intricate precision
and immaculate mastery-
a safe blaze fed with twigs
and ringed with stacked stone.
"It's time to let go.
"Time to bypass the governors and
let slip the mysteries and
let it flow out of control.
We've been slipping them sips;
let them drink and be refreshed.
"I know your fears--
unwatered wine maddened the Maenads--
but your wall is sound and
has waved away the nasty bastards
and will contain the chaos
if things fall apart inside.
"We've spent this timeless time
priming them for power.
Some have been dazzled and dizzied
but found their footing fast
and have advanced to dance with the magic.
Already the proficient look after the apprentices
and will scoop up any strays.
"Let go."
We glance at each other,
shrug as one,
and let go.
TimeSpace Maze
Too much dancing? (asked Jocasta,)
Out of breath?
Come with me.
Grab a tumbler of water from the table
as we plunge into a rainbow maze of
colored cloth hanging on invisible filaments-
-through the maze of shifting silhouettes
grappling, coupling, scrumping, cuddling, tickling.
-through the maze, startling-
but not interrupting--they continue, smiling-
three writhing lovers.
-through the maze to the outer wall
lined down its length
with doors.
Come with me through this door
to the haze of smoke hanging over the crowd
in an old British pub, where four mop-topped boys
are singing up-tempo songs about love,
and Margaret is there, front row, center,
singing while the other girls scream.
Come with me through a door in the back
with a big red sign:
"Warning! Zero Gravity Beyond This Point!"
and into a long, transparent tube,
the thinnest layer of
what-we-hope-to-be-much-stronger-than-glass
separating us from vast Nothing
and the stars so far beyond.
Come with me, freefalling for just under a minute
to the door at the far end,
then through (stumbling now
under full weight) and into a casino
bizarre in that the tables
are brilliantly lit
by the floor-to-ceiling windows.
Olivia is here, toying with the boys
as singlemindedly gleeful
as a cat scampering after a pen cap,
and a man you've seen before only in monochrome
(and then with a sword in his hand)
keeps the women riveted
on other things than envy.
Come to the edge with me
and look down, down, down
at rolling hills and glimmering lakes
and the tops of clouds
lit from above and almost solid-looking.
Look up to the ribbed curve of fabric
stretched over a frame a thousand feet long.
Come with me through more doors-
-to a workshop which smells of welding slag
and molten metal, where Cassandra and
some old guy from New Jersey
whip up the finishing touches on a go cart.
-to a library where Zia and a psychiatrist
and an expert at the short con
compare and contrast their
observations of the depths of self-delusion.
-to a domed arena where everyone is
six times as light on their feet
and Elizabeth is cheering on one of the teams
competing on a floor of grey dust
in a bastard child of
hockey and lacrosse
where a flick of a stick
with a curved basket on the end
can send a ball two hundred meters effortlessly.
-to an auditorium where Emily hacks her way
through a bloody slapstick play, leaving
the audience roaring and wincing.
-to a muggy Memphis evening
where a cowlicked boy
with a spastic grind of his hips
assures us: "It's alright, Mama."
-to the kitchen where we can grab a snack from Fiona,
who rests on a barstool, munching fresh carrots
with a look of pure rapture.
-to a circular room at the top of a tower,
the periphery ringed with windows and doors...
...now, you.
You choose a door
and take me through.
Out of breath?
Come with me.
Grab a tumbler of water from the table
as we plunge into a rainbow maze of
colored cloth hanging on invisible filaments-
-through the maze of shifting silhouettes
grappling, coupling, scrumping, cuddling, tickling.
-through the maze, startling-
but not interrupting--they continue, smiling-
three writhing lovers.
-through the maze to the outer wall
lined down its length
with doors.
Come with me through this door
to the haze of smoke hanging over the crowd
in an old British pub, where four mop-topped boys
are singing up-tempo songs about love,
and Margaret is there, front row, center,
singing while the other girls scream.
Come with me through a door in the back
with a big red sign:
"Warning! Zero Gravity Beyond This Point!"
and into a long, transparent tube,
the thinnest layer of
what-we-hope-to-be-much-stronger-than-glass
separating us from vast Nothing
and the stars so far beyond.
Come with me, freefalling for just under a minute
to the door at the far end,
then through (stumbling now
under full weight) and into a casino
bizarre in that the tables
are brilliantly lit
by the floor-to-ceiling windows.
Olivia is here, toying with the boys
as singlemindedly gleeful
as a cat scampering after a pen cap,
and a man you've seen before only in monochrome
(and then with a sword in his hand)
keeps the women riveted
on other things than envy.
Come to the edge with me
and look down, down, down
at rolling hills and glimmering lakes
and the tops of clouds
lit from above and almost solid-looking.
Look up to the ribbed curve of fabric
stretched over a frame a thousand feet long.
Come with me through more doors-
-to a workshop which smells of welding slag
and molten metal, where Cassandra and
some old guy from New Jersey
whip up the finishing touches on a go cart.
-to a library where Zia and a psychiatrist
and an expert at the short con
compare and contrast their
observations of the depths of self-delusion.
-to a domed arena where everyone is
six times as light on their feet
and Elizabeth is cheering on one of the teams
competing on a floor of grey dust
in a bastard child of
hockey and lacrosse
where a flick of a stick
with a curved basket on the end
can send a ball two hundred meters effortlessly.
-to an auditorium where Emily hacks her way
through a bloody slapstick play, leaving
the audience roaring and wincing.
-to a muggy Memphis evening
where a cowlicked boy
with a spastic grind of his hips
assures us: "It's alright, Mama."
-to the kitchen where we can grab a snack from Fiona,
who rests on a barstool, munching fresh carrots
with a look of pure rapture.
-to a circular room at the top of a tower,
the periphery ringed with windows and doors...
...now, you.
You choose a door
and take me through.
Magic Mixology
Dexter and Sinclair
the twins behind the bar
are mixing magic margaritas
phantasm enhanced daiquiris
and juiced-up gee-and-tees
Everyone gets a drink and a trinket
a string of beads
or a tiny kaleidoscope
or a crackerjack ring
all of them touched and charged,
a gift of the mystical
to turn box wine to ambrosia
or to render denim diaphanous
or to scale up a quartet to an orchestra
and, for everyone,
a nebulous suggestion of dream, more felt than seen;
a misty ambiguity just beyond their periphery.
Of course, start ordering shots
and the magic becomes, shall we say,
a bit more insistent--
The twins will run any eager thrillseeker
through the Lands of Paradox and back again
but the bored and jaded amuse the twins, and
present a special challenge;
a "Freak Me" gauntlet thrown at their feet.
Can you handle three-dee graffiti?
a psychotic cartoonist's delirious daydream?
The boys can turn your night into
a spatter-painting of reality,
and the less you let
your self assurance slip,
the more they'll twist and torque
the stable right angles of your psyche.
the twins behind the bar
are mixing magic margaritas
phantasm enhanced daiquiris
and juiced-up gee-and-tees
Everyone gets a drink and a trinket
a string of beads
or a tiny kaleidoscope
or a crackerjack ring
all of them touched and charged,
a gift of the mystical
to turn box wine to ambrosia
or to render denim diaphanous
or to scale up a quartet to an orchestra
and, for everyone,
a nebulous suggestion of dream, more felt than seen;
a misty ambiguity just beyond their periphery.
Of course, start ordering shots
and the magic becomes, shall we say,
a bit more insistent--
The twins will run any eager thrillseeker
through the Lands of Paradox and back again
but the bored and jaded amuse the twins, and
present a special challenge;
a "Freak Me" gauntlet thrown at their feet.
Can you handle three-dee graffiti?
a psychotic cartoonist's delirious daydream?
The boys can turn your night into
a spatter-painting of reality,
and the less you let
your self assurance slip,
the more they'll twist and torque
the stable right angles of your psyche.
Dream Palace
Just a short time ago--
when some sliver of sun still
gleamed golden above the valley--
the frisbee golfers had played here, with
lawnchairs and hulahoops and beach umbrellas
to serve as holes on their course.
(One modern mystic smiled, delighted
as people played a game with solid holes.)
Now, as shadows fill the bowl of the valley
like ink dripped into water,
a palace sits where no palace sat before,
embellished with spindly spires and crystal casements.
Chalk this one up (again)
to the sorcerers of Sheboygan.
When Jocasta's invitations found their way
to their towers, the boys took on
the extracurricular mission of
whipping up a party crib,
with copious help from Jocasta's protégées.
Reams and rolls of paper
blushed with color as they wore away
kilometers of crayon, one decimeter at a time,
scribbling out their dreams
of salons and boudoirs,
of hidey-holes and rumpus rooms,
of secret passages and hidden panels.
Come into the palace, where time and text are fluid
and the mundane graces, Jocasta's collaborators,
hover near the hearth in the foyer
to greet their guests. Blarney and banter
duly distributed, they swing open the doors
revealing a long hallway
with classical statuary ranked in recesses
converging at the vanishing point
of a vast double doorway
which opens into the ballroom.
From the ballroom, a door can lead anywhere.
Be careful what you wish for.
when some sliver of sun still
gleamed golden above the valley--
the frisbee golfers had played here, with
lawnchairs and hulahoops and beach umbrellas
to serve as holes on their course.
(One modern mystic smiled, delighted
as people played a game with solid holes.)
Now, as shadows fill the bowl of the valley
like ink dripped into water,
a palace sits where no palace sat before,
embellished with spindly spires and crystal casements.
Chalk this one up (again)
to the sorcerers of Sheboygan.
When Jocasta's invitations found their way
to their towers, the boys took on
the extracurricular mission of
whipping up a party crib,
with copious help from Jocasta's protégées.
Reams and rolls of paper
blushed with color as they wore away
kilometers of crayon, one decimeter at a time,
scribbling out their dreams
of salons and boudoirs,
of hidey-holes and rumpus rooms,
of secret passages and hidden panels.
Come into the palace, where time and text are fluid
and the mundane graces, Jocasta's collaborators,
hover near the hearth in the foyer
to greet their guests. Blarney and banter
duly distributed, they swing open the doors
revealing a long hallway
with classical statuary ranked in recesses
converging at the vanishing point
of a vast double doorway
which opens into the ballroom.
From the ballroom, a door can lead anywhere.
Be careful what you wish for.
Benediction
Look in your hearts, (Jocasta says,)
where Gods and Goddesses live,
and know that God is not a
daddy-with-a-strap,
tossing the rooms of your souls
to find your stash
of girlie mags and cigarettes!
Today we've turned away
the people who like to
scowl and point; who say,
"You must," or, "You must not;"
who warm their hearts with
thoughts of souls roasting.
Today we've turned away
the greedy people who
have picked up these scowlers,
these pointers, as pawns;
the slick salesmen who want
to dampen our passions
and replace them with things.
Today, we slow.
We will give our nerves time to explore,
to compare silk with skin,
and baking with barbecue,
and dutiful with deranged.
Today is for
sweat and sunshine,
ground-in grass stains
and freshly washed cotton,
old leather baseball gloves
and red rubber playground balls,
harmony and cacophony
and the shush of the stream
over a million river-worn pebbles.
Let no one scold or shame you into behaving!
Savor every sense!
Revel in the real while the sun shines,
for tonight, illusion rules!
where Gods and Goddesses live,
and know that God is not a
daddy-with-a-strap,
tossing the rooms of your souls
to find your stash
of girlie mags and cigarettes!
Today we've turned away
the people who like to
scowl and point; who say,
"You must," or, "You must not;"
who warm their hearts with
thoughts of souls roasting.
Today we've turned away
the greedy people who
have picked up these scowlers,
these pointers, as pawns;
the slick salesmen who want
to dampen our passions
and replace them with things.
Today, we slow.
We will give our nerves time to explore,
to compare silk with skin,
and baking with barbecue,
and dutiful with deranged.
Today is for
sweat and sunshine,
ground-in grass stains
and freshly washed cotton,
old leather baseball gloves
and red rubber playground balls,
harmony and cacophony
and the shush of the stream
over a million river-worn pebbles.
Let no one scold or shame you into behaving!
Savor every sense!
Revel in the real while the sun shines,
for tonight, illusion rules!
Tentative
So many trickle in; by ones and twos
The not-so-tiny people find the place.
They wear fantastic masks, or painted face
and whimsical diguises to confuse
The stern and disapproving, dogma-bound
Who hunt the higher nail and squeaky wheel.
They seem to ask permission, please, to feel,
And seem prepared, til then, to mill around
And watch Jocasta's friends and pupils play.
Elizabeth approaches like they're wild
And frightened animals, and they, beguiled,
Think: "I should dash away, but, no, I'll stay."
She smiles. "Come play. Be wanton or be coy.
Jocasta will absolve the sin of joy."
The not-so-tiny people find the place.
They wear fantastic masks, or painted face
and whimsical diguises to confuse
The stern and disapproving, dogma-bound
Who hunt the higher nail and squeaky wheel.
They seem to ask permission, please, to feel,
And seem prepared, til then, to mill around
And watch Jocasta's friends and pupils play.
Elizabeth approaches like they're wild
And frightened animals, and they, beguiled,
Think: "I should dash away, but, no, I'll stay."
She smiles. "Come play. Be wanton or be coy.
Jocasta will absolve the sin of joy."
Valley
The sorcerers of Sheboygan
have trick-rich sleeves.
A river has carved
a flat-bottomed bowl of a valley
from old, old hills.
In the middle of the river
Dexter sits cross legged on a boulder,
surrounded first by water,
then by meadow,
then by forest,
then by starry sky.
The other sorcerers
have parked their carcasses
all along the rim of the bowl,
waiting for Dexter to make his move.
The world spins toward sunrise
and Dexter makes himself
more and more boulder-like;
feels every crystal,
every grain,
every pore
from molten root
to smoothed and rounded summit;
feels a sea of power
flowing through everything.
With a TWIST,
he whirls a power-storm
around his calm center.
As when one swirls a cup of water
around the bottom of a large bowl
and, higher and higher,
the sides get wet,
so do the hills become soaked in power
as Dexter swirls the magic
faster and faster.
From the left and slightly below
Sinclair feels the power flow,
fresh and fiery, green and growing,
all through his nerves the power glowing.
This has potential, Sinclair thinks--
and, so, it has.
With a TWIST
he spins it to a gazillion filaments,
rough and raw and ready for dyeing.
Marcos reaches into his bag
and pulls out a corduroy jacket
with suede sleeve patches.
He shrugs, and hands it to Liam,
who shrugs and plays
a Zip-Zop song
on his new cloth washboard
with a patting flap
of percussion on the patches.
The tendrils TWIST
themselves to myriad hues
and dance to Liam's tune.
Felix, counterclockwise,
sees the writhing wave
and TWISTS
the tune to
a Zip which thirsts,
jaunty and jubilant,
and a Zop which hungers,
stern and determined.
Downstream, Pasquale waits,
humming up a spectral loom
and the power comes
Zipping and Zopping along.
He TWISTS
the strings into a net,
a warp and weft of
expedience and hindrance
to accept the seekers
and shunt the sneerers away.
Finally, to Max--
all this power
tweaked and twisted
around the rim of the hills
to Max--
who TWISTS
space enough for everyone
and pours it, and all the power,
back into the valley
which sops it up
like a giant granite sponge.
"Let Jocasta know:
we're ready to go."
have trick-rich sleeves.
A river has carved
a flat-bottomed bowl of a valley
from old, old hills.
In the middle of the river
Dexter sits cross legged on a boulder,
surrounded first by water,
then by meadow,
then by forest,
then by starry sky.
The other sorcerers
have parked their carcasses
all along the rim of the bowl,
waiting for Dexter to make his move.
The world spins toward sunrise
and Dexter makes himself
more and more boulder-like;
feels every crystal,
every grain,
every pore
from molten root
to smoothed and rounded summit;
feels a sea of power
flowing through everything.
With a TWIST,
he whirls a power-storm
around his calm center.
As when one swirls a cup of water
around the bottom of a large bowl
and, higher and higher,
the sides get wet,
so do the hills become soaked in power
as Dexter swirls the magic
faster and faster.
From the left and slightly below
Sinclair feels the power flow,
fresh and fiery, green and growing,
all through his nerves the power glowing.
This has potential, Sinclair thinks--
and, so, it has.
With a TWIST
he spins it to a gazillion filaments,
rough and raw and ready for dyeing.
Marcos reaches into his bag
and pulls out a corduroy jacket
with suede sleeve patches.
He shrugs, and hands it to Liam,
who shrugs and plays
a Zip-Zop song
on his new cloth washboard
with a patting flap
of percussion on the patches.
The tendrils TWIST
themselves to myriad hues
and dance to Liam's tune.
Felix, counterclockwise,
sees the writhing wave
and TWISTS
the tune to
a Zip which thirsts,
jaunty and jubilant,
and a Zop which hungers,
stern and determined.
Downstream, Pasquale waits,
humming up a spectral loom
and the power comes
Zipping and Zopping along.
He TWISTS
the strings into a net,
a warp and weft of
expedience and hindrance
to accept the seekers
and shunt the sneerers away.
Finally, to Max--
all this power
tweaked and twisted
around the rim of the hills
to Max--
who TWISTS
space enough for everyone
and pours it, and all the power,
back into the valley
which sops it up
like a giant granite sponge.
"Let Jocasta know:
we're ready to go."
Invitation
Join us!
One Week from Tonight!
The Incomparable
Jocasta Stoneburner
wishes to issue a
Lush and Loving Invitation
to an Evening of Revelry!
Brim-full of Stimulation!
Illusions! Diversions!
Featuring a Dizzying Variety
of Hedonistic Facilitators
Including:
Hrothgar Honeytongue
and his
Itinerant Meadhall!
Musical Groovings
and
Free-form Terpsichorean Creativity
with Margaret!
Cassandra and Her
Homemade Trebuchet!
(Bring a Trashcan Lid for a Shield
and a Box of Unlubricated Con--
--er, Extra Durable Water Balloons!)
Twenty-seven
Musical Train Wrecks
Competing in our
First Annual
Battle of the
One-Man Bands!
--and--
As many Jugglers as can fit in a VW Micro-bus!
Field space is available for
Cutthroat Bocce
Pick-up Kickball
Rogue Croquet
and Tag
Bonfire provided by
A Bunch of Random Pyrophiliacs
Fire safety provided by
A Bunch of Hard-Drinkin' Firefighters
Take a Diet Hiatus
with Too Much Food by Fiona
Win some and lose some
in Olivia's Gaming Gallery
Thrill to Cliff Diving
Assert your Personal Space on our
Boomerang Target Range
Expand your horizons with
a Knife Throwing Tutorial
Fair Warning:
Live at your own risk
Deliberate harm Prohibited
Accidental harm Discouraged
Angry fistfights will be broken up
Fistfights-for-fun will be wagered upon
Clothing always optional
Crash space available
Attendees will be
treated as Adults
Until they prove themselves,
by their behavior,
to be Children.
Children accompanying adults
will be treated as adults
and no adult activities will be hidden from them
One Week from Tonight!
The Incomparable
Jocasta Stoneburner
wishes to issue a
Lush and Loving Invitation
to an Evening of Revelry!
Brim-full of Stimulation!
Illusions! Diversions!
Featuring a Dizzying Variety
of Hedonistic Facilitators
Including:
Hrothgar Honeytongue
and his
Itinerant Meadhall!
Musical Groovings
and
Free-form Terpsichorean Creativity
with Margaret!
Cassandra and Her
Homemade Trebuchet!
(Bring a Trashcan Lid for a Shield
and a Box of Unlubricated Con--
--er, Extra Durable Water Balloons!)
Twenty-seven
Musical Train Wrecks
Competing in our
First Annual
Battle of the
One-Man Bands!
--and--
As many Jugglers as can fit in a VW Micro-bus!
Field space is available for
Cutthroat Bocce
Pick-up Kickball
Rogue Croquet
and Tag
Bonfire provided by
A Bunch of Random Pyrophiliacs
Fire safety provided by
A Bunch of Hard-Drinkin' Firefighters
Take a Diet Hiatus
with Too Much Food by Fiona
Win some and lose some
in Olivia's Gaming Gallery
Thrill to Cliff Diving
Assert your Personal Space on our
Boomerang Target Range
Expand your horizons with
a Knife Throwing Tutorial
Fair Warning:
Live at your own risk
Deliberate harm Prohibited
Accidental harm Discouraged
Angry fistfights will be broken up
Fistfights-for-fun will be wagered upon
Clothing always optional
Crash space available
Attendees will be
treated as Adults
Until they prove themselves,
by their behavior,
to be Children.
Children accompanying adults
will be treated as adults
and no adult activities will be hidden from them
Tiny, Frightened People
The Tiny Frightened People hide
their children from the scary world
The Tiny Frightened People hate
the world that scares their children so
The Tiny Frightened People never think--
the answers(they insist) are in The Book
Like so:
Answers from outside The Book are
Wrong!Wrong!Wrong!
To make un-Bookish inquiries is
Wrong!Wrong!Wrong!
Anyone who doubts The Book is
Wrong!Wrong!Wrong!
I find the world to be less frightening
if I can fit it neatly in My Book.
Let's be brave, kids! (Jocasta enthuses)
and frolic through the frightening world
outside their tiny books!
their children from the scary world
The Tiny Frightened People hate
the world that scares their children so
The Tiny Frightened People never think--
the answers(they insist) are in The Book
Like so:
Answers from outside The Book are
Wrong!Wrong!Wrong!
To make un-Bookish inquiries is
Wrong!Wrong!Wrong!
Anyone who doubts The Book is
Wrong!Wrong!Wrong!
I find the world to be less frightening
if I can fit it neatly in My Book.
Let's be brave, kids! (Jocasta enthuses)
and frolic through the frightening world
outside their tiny books!
Towers
The sorcerers of Sheboygan
hide their towers in the twists of space and time.
Wherever a sorcerer walks,
a tower waits around the corner;
he carries the entrance with him.
One entrance only,
but a sorcerer worth anything knows
that a tower must have many exits
scattered and hidden well from
the Tiny Frightened People:
a door that opens
to the alley between the detox center
and the cheap-ass chinese restaurant,
a door that emerges
from the mop closet next to the men's room
in the biker bar by the trainyard,
a door that decants
onto the observation deck of a forest ranger's tower
seventy-five feet above the forest floor,
a door that swings
into a church basement,
or a laundry room,
or the stockroom of a corner store.
Faceless and nameless the sorcerers emerge
and vanish into the throng
like water poured into water.
hide their towers in the twists of space and time.
Wherever a sorcerer walks,
a tower waits around the corner;
he carries the entrance with him.
One entrance only,
but a sorcerer worth anything knows
that a tower must have many exits
scattered and hidden well from
the Tiny Frightened People:
a door that opens
to the alley between the detox center
and the cheap-ass chinese restaurant,
a door that emerges
from the mop closet next to the men's room
in the biker bar by the trainyard,
a door that decants
onto the observation deck of a forest ranger's tower
seventy-five feet above the forest floor,
a door that swings
into a church basement,
or a laundry room,
or the stockroom of a corner store.
Faceless and nameless the sorcerers emerge
and vanish into the throng
like water poured into water.
Jocasta
Jocasta Stoneburner has a compact, sturdy body
with curves aplenty, and her eyes gleam, so devious.
She uses a jujitsu wit
that turns your clever momentum against you.
She may slap your ass hello.
She may kiss your nose goodbye.
She may sweep a formal, respectful bow.
She'll dance on a whim to the music in her head.
She lives in a clothing-optional world of her own, and
her favorite options span the spectrum
from rugged to gauzy, floaty to skintight,
touching every degree between.
She has a vast and various collection of hats;
fewer shoes, though many still.
She wears a naughty grin as her poker face
and her hands remember impeccably
the riffle and shuffle and deal
with no help from her eyes.
She knows five ways of telling your fortune
and has the gift of making you look forward
to finding out if she was right.
She always carries with her a way to light a fire,
a pair of dice, a deck of cards,
a point-and-shoot camera,
pen, paper and a discrete handgun
to discourage would-be witchfinders.
She'd rather skinny-dip.
She has gathered a handful of disciples.
Jocasta's only lesson:
No time but now!
Lose yourself to joy
and bring as many with you as will follow.
Jocasta Stoneburner and the Sorcerers of Sheboygan
The sorcerers of Sheboygan
have let slip their relentless self-discipline;
have set aside the foreign resins and
mystical essences which fill their toolchests
and spiraled down from their towers
to harass the valley.
Centuries of stolid study
now give way to eager deviance
as they scurry down the secret paths
to go full-on symbolic with
Jocasta Stoneburner the pro bono courtesan
and her troupe of exuberant pupils.
The sorcerers' pouches bulge with ephemeral gems
for hucksters and such, but for Jocasta
and her inquisitive minions, they've gifts:
gaudy baubles and myriad doodads imbued with
dancing phantasms, elixirs and illusions,
perfumes and potions and endless bedazzlement.
They've learned to touch the world lightly;
to slip in a bit of serendipity for
a beneficial butterfly effect;
too heavy a hand will jostle awake
the Tiny Frightened People, who'll
make all manner of torch-and-pitchfork mayhem.
Ah, but this was a week to bull and jam,
a week to do seven days' work in six
then shut it all down for an evening
to cut loose and savor slippery rewards
and dervish delirium with the
enthusiastic Jocasta and crew.
So down they dash--let sleepers snooze!
Let the dour glower! Tonight is for satin and
sable and leather! For smoke and sandalwood and musk!
For savory and sweet and sharply tart!
The sorcerers of Sheboygan come now
to indulge their urges and revel in the sensual!
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